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STAGING THE ARTWORK
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@stagingtheartwork [↗]
SELECTED LINKS
What does the word curate mean to you? Introductory Essay by Mona Casey, 2011 [↗]
Q&A Mona Casey Interviews Joanne Tatham and Tom O’Sullivan, showing at Eastside Projects for Map Magazine, 2009 [↗]
RECENT
Schemarium, 2024 [→]
OTHER PROJECTS
Silent Stage, Lithuania, 2018
Salon, 2015
Slice Distribution - B42, 2012
The Space Between Surrounds our Desires, 2009
Merging Territories, 2008
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ARTICLE
This Frontier so Familiar so Strange, 2016
Staging the Artwork 2, 2015
Staging the Artwork, 2015
Article Off-site - 7 Disorderly Dramas, 2015
New Art Annuale, 2015
Until it Breaks, 2013
Diamond Armour, 2012
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COLONY
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MONA CASEY
Last Summer Green things were Greener (Sketch 2), 2024
Hypercoloration (Sketch 1), 2024
The Butterfly Effect, 2021
Backdrop Grounding the Spectacle, 2015
Misdemenours & Regurgitations
A whole lotta lemons
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CASEY & MCAREE
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Originality Is Reified
Installation
4th floor, 330 Upper Street, Islington, London N1 2XQ
Opening Night 7 February 2006, 6.30pm – 8.30pm
10 Febuary – 4 March 2006, Fri – Sun 12 – 5pm or by appointment
Sam Adams
Casey & McAree
Liane Lang
James Rawlinson
The group show at Hollow Contemporary Art features artists whose works are informed from significantly different backgrounds. They will respond to the gallery space by applying themselves and their work directly onto and within the architecture of the gallery for a week, challenging preconceived ideas of the disparity between the studio and the gallery.
The premise of the exhibition has been developed in response to John Berger’s statement in The Shape of a Pocket; ‘Originality is reified; so is its creator’, this offers an interpretation of the idea of the ‘white cube’ gallery space which has been an unchallenged arena of discourse. ‘The white cube was traditionally seen as an emblem of the estrangement of the artist from a society to which the gallery also provides access. It is a space with a direct line to the timeless, a set of conditions, a place deprived of location, a magic chamber, a concentration of the mind. It preserves the possibility of art.’
This exhibition seeks to demonstrate and experiment with the procedure of montage: the notion of superimposed elements disrupting contexts that invert the interruption of action. This notion of collage has, historically, been regarded as a revolutionary formal innovation in artistic representation that has occurred in our century. The interest of collage as a devise for criticism resides in the incorporation of an actual fragment that remains ‘representational’ while breaking the illusion of realism. To lift a certain number of elements, whether they are from original works, objects, or pre-exiting messages, and integrate them in a new creation in order to produce an original totality manifesting ruptures of diverse sorts. I see this project as an opportunity to use the space as a place of contemplation, consideration and imagination. As a basis for the exhibition, the idea of collage offers an unpredicted significant step in bringing art and life closer to becoming a simultaneous experience within a space such as Hollow Contemporary art.
Casey & McAree work both collaboratively and individually. Their Installation feature a diverse juxtaposition of materials, referencing art historical practices including Romanticism and Expressionism in an analysis of contemporary practice.
Curated by Ali Beddoes